Wrong

“There’s something wrong with me chemically, something wrong with me inherently,
the wrong mix in the wrong genes, I reached the wrong ends by the wrong means.” 
~Depeche Mode

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Little me before I understood I was wrong

For as long as I’ve been alive, I’ve operated under one irrefutable certainty: there is something wrong with me. That belief germinated in my early childhood when I was regularly told how imperfect I was. I couldn’t be still in church. I couldn’t behave in a store. I couldn’t act like a young lady. I didn’t use the brain the good Lord gave me. I was too talkative. I was inconsiderate, selfish, and not achieving to my fullest potential. Even things that were beyond my control, like my genetically thick and unruly hair, were wrong. While I knew intellectually that my parents did their best to love me, I accepted that I was off. The messages imprinted, the proof was iron clad, and I accepted it and wore it like a full-length down parka that both protected and obscured what lied beneath.

In my teenage years, I donned headphones and disappeared into music. Song lyrics were the first place where I found belonging. Morrissey’s morose vocals provided a soundtrack for my life. I know I’m unlovable. You don’t have to tell me. Message received – loud and clear. He was proof that there were others like me out there, although I didn’t seem to know any of them personally. As an adult, friends gave me grief over my depressing music, but I didn’t care. The National’s gloomy tunes told my life’s tale. When I walk into a room, I do not light it up. The awkward, the invisible, the alienated, the isolated, these were my people.

It wasn’t until I had my sons that I began to sense that, in terms of who I was, I might have been sold a bridge in Arizona. I started my parenthood career with the same high expectations of my sons that had been applied to me. When I approached them harshly and saw the crushed look on their little faces, however, I was reduced to a weepy mess. I couldn’t do it. Hurting them hurt me, not unlike sticking a pin in a voodoo doll only to realize I was piercing myself.

When my boys, both at age eight, were diagnosed with brain differences, an unexpected and beautiful idea drifted into my purview. These people who had been entrusted to me were meant to show me that wrong was subjective. Yeah, Joe couldn’t tie his shoes or ride a bike, but his intellectual curiosity and ability to retain and regurgitate information was impressive. And Luke, while struggling to comprehend phonics and read, created vast, complicated worlds and endless diagrams and drawings to explain them. I found my boys amazing. Flawed in some ways, sure, but still basically perfect. 

I have been in and out of therapy for five years now as I struggle to remove the coat of self-worthlessness I donned unquestioningly as a child. Yesterday, Glennon Doyle shared with the world a snippet from her upcoming book Untamed: “The only thing that was ever wrong with me was my belief that there was something wrong with me.” Whoa. Hold it right there, Glennon. Are you saying that maybe there is nothing “wrong” with me after all? Maybe I’ve been wearing this cumbersome layer of shame and self-loathing out of habit? Maybe I could take it off or trade it for a windbreaker for a while and see how that feels? Hmmmm……

Spring and daylight savings are right around the corner. It might be a good time to lighten up. I can start by unloading the notion that there was ever anything wrong with me. I may not have been a perfect child or teenager or friend and I may not be a perfect wife or mother either, but that doesn’t mean there’s anything wrong with me. At least not inherently.

 

What Difference Does It Make

Something British that I truly enjoyed last night
Something British that I truly enjoyed last night

“One must hop toward the light rather than sit in a shadow and wonder why it’s dark.” ~Bunny Buddhism

I’ve been a regular concert goer since I was a teenager. I saw my first concert (The Police on their Synchronicity tour) when I was 15 years old. My friends and I were in the rafters in seats labeled on the printed tickets as “Possible Obstructed View.” It didn’t matter. When Sting took the stage and I saw the tiny dot that was HIM, the magical concept of the concert was solidified. I was taken in hand by the spirit of live music. Game over.

Last night I had the opportunity to see in concert an artist I’ve followed since I wore black on the outside because black was how I felt on the inside. As much as I adored Sting and The Police (and I’ve seen Sting, either with or without The Police, approximately nine times), The Smiths were my anchor, Morrissey my preacher. Need a pithy lyric? I’ve got an entire cache of Smiths’ lyrics stored in my brain, the same brain that can’t remember my own phone number some days. After two failed attempts to see the Moz (he cancelled the shows both times), yesterday afternoon I started to believe it might be my night. I crossed my fingers and hoped the third time was a charm. Please, please, please let me get what I want. Lord knows, it would be the first time. To celebrate the evening’s potential, my friend Heather and I had dinner at the British Bulldog. We were taking this experience as seriously as Morrissey takes his PETA affiliation.

When he finally took the stage last night in the Ellie Caulkins Opera House, all the self-inflicted misery of my teenage years resurfaced. The show started out better than I could have hoped with Hand in Glove. His voice was spot on, clear, smooth, and without any hint of the ill effects of high altitude. Having resigned myself long ago to the knowledge that I would never hear a Smiths’ song live, I could not have been more happy to be wrong. As the concert progressed, however, I found myself becoming increasingly agitated. A steady dose of morose songs are the norm with Morrissey, but his solo catalog also includes musically upbeat tunes…even if they are accompanied by lyrics that are she-was-found-face-down-in-a-bathtub-of-vodka level of depressing. I kept waiting for the uptempo songs. They did not arrive. Worse than that, I was seated next to an aggravating couple that included a gentleman who believed he himself was Morrissey. He sang each and every word quite loudly and with the utmost conviction of his own vocal talent. I wanted to kick him in the eye. I was not surprised when Morrissey performed Meat Is Murder while onscreen a graphic, five-minute long film of the industrialized food machine abusing and murdering animals played for our edification. I gave up hope and focused instead on my double vodka and soda. At least there was a chance for temporary mental respite at the bottom of my plastic cup. I checked my phone for the time and found myself disappointed that it was only 10:11. All I could think was heaven knows I’m miserable now.

Toward the end of the show, Heather and I checked out. I think we might have left if it hadn’t been for some sort of misguided optimism that perhaps Morrissey would come out of his self-indulgent drama long enough to play something lively and redeem the show. I know Morrissey was simply being Morrissey. It’s not his fault that I didn’t get the concert I had hoped for. He was the same Morrissey he has always been. I have changed. My mentality has caught up with my biology. I’m older now and have less tolerance for intentional misery. I am weary and wary of wallowing for wallowing’s sake. Life is short, and our thoughts determine our relative level of joy. Based on that notion, Morrissey must be the most disconsolate man on earth. Don’t get me wrong. I will always enjoy his songs because they are wry, poetic, and clever. He rests on the other side of the scale from brainless, pop fluff and creates a necessary balance. Somewhere along the line, though, I decided that choosing to live in misery doesn’t make you deep. It just makes you dark. I will never see another one of your shows, Morrissey, but I’m still fond of you.