With A Poet’s Heart, I Begin Again

Photo by Álvaro Serrano on Unsplash

I used to write poetry. I was much younger then, with a radical heart, raucous with emotion. Then I grew up. I learned to pull my emotions in, hug them like it was the last time I’d ever feel them because I was sure no one else wanted to hear from them. I stopped wearing my heart pinned to my chest and gave it a forwarding address deep inside. Now I find that with the passing of time and with roughness of the outside world, life used heavy-grit sandpaper on me because now, now my heart is back on the outside where it was before. Everything is raw. I can’t push it back down, and that’s a good thing, I think.

So I am mentally planning a poetry comeback. Until the inspiration hits me, I’m reading others’ poetry. Good Bones is one I feel with all my heart. I have on many occasions apologized to my children for the state of the world and my part in making it what it is now, what they will inherit and have to fix (or create a rocket in which to leave forever).

As I start down the poet’s path again, I share this work with you today. Perhaps it will resonate with you as well.

Good Bones, a poem by Maggie Smith

Life is short, though I keep this from my children.

Life is short, and I’ve shortened mine

in a thousand delicious, ill-advised ways,

a thousand deliciously ill-advised ways

I’ll keep from my children. The world is at least

fifty percent terrible, and that’s a conservative

estimate, though I keep this from my children.

For every bird there is a stone thrown at a bird.

For every loved child, a child broken, bagged,

sunk in a lake. Life is short and the world

is at least half terrible, and for every kind

stranger, there is one who would break you,

though I keep this from my children. I am trying

to sell them the world. Any decent realtor,

walking you through a real shithole, chirps on

about good bones: This place could be beautiful,

right? You could make this place beautiful.

The Troubadour of Sterling Ranch

Photo by Jefferson Santos on Unsplash

One of the first things I noticed as we were settling into our new neighborhood two summers ago was a curious neighbor. I don’t mean curious in the way that he was curious or nosey. I mean only that I found him curious. I didn’t know what to make of him. He was decidedly hard to miss as I made the left hand turn leading towards our home. There he was. Standing on the sidewalk, playing his guitar and singing, smile broadened across his friendly face. The first time I saw this, I thought it was a little odd but I figured it might be a one off. Perhaps I was missing something. Maybe there was a reason he was out there playing and singing. Maybe he was waiting for someone and planned to greet them with a song. That made sense to me, so I went with that thought.

But as I continued to drive back and forth in the coming weeks as we settled into our new home, I noticed he was out there nearly every time I drove by. I eventually made my peace with the idea that this was a regular occurrence, but I struggled to understand why. My introvert self was deeply confused by this blatant display of extrovert power. What did he want? Was I supposed to acknowledge his playing? Was he playing for himself? Should I wave? He couldn’t wave back. Should I just smile? Nod a visual acknowledgment of his existence? In my 52 years, I’d never encountered a situation like this with a neighbor standing on a residential street singing to no audience in particular. Sometimes on walks with my dog I would see he was out there and panic. What do I do when I walk by? Should I stop? Is that what is polite? My mind could not fathom a situation in which a person would do such a thing. It felt so awkward to me because I didn’t understand why he was doing it and felt confused about what I was meant to do when I saw him. When I found myself driving by him, maybe for the third or fourth time that day, and running out of what I felt were legitimate ways to regard him, I would avert my eyes. And while I was thinking he was this crazy guy out there singing to himself, he probably was thinking, “How many times is she going to drive by today?”

Over the intervening years, I’ve accepted something about Chris. He is out there, in all sorts of weather on all sorts of days, because he is doing what feeds his soul. Who does that? You rarely see a grown adult performing and smiling on the street without a tip jar out for collection. It was a foreign concept to me. I know people who like their jobs, but I don’t often catch them executing their job on a public street. Granted, it’s a bit easier for a singer/songwriter to share the joy of what they do with others than it would be for, say, a teacher. You don’t often see elementary school teachers standing on the street reading aloud from The Giving Tree or whatever. So the more I thought about Chris and his playing and singing, the happier it made me. Here was someone following their damn bliss. It was so brazen. Chris is out there living his best life in plain view of everyone else. Once I got over my introvert conundrum regarding how to approach the visual of this happy individual singing his heart out, I decided he was inspiring, actually. And when I checked out his website, which was shared with me by our neighbors, I decided he was even more inspiring because not only is he a songwriter and performer, but he is also a poet and a published author. He’s a busy guy.

Chris is busy making the world a better, more positive place. It’s no wonder his behavior confused me. You don’t see much of it these days.

Rock on, Chris! We appreciate you.

This One Time At The Olympics…

Photo by Aditya Joshi on Unsplash

I am not normally a fan of the Olympics. I know. I know. What kind of person am I? But, seriously, I’ve just not really ever cared. I don’t mind watching (I don’t have much of a choice since everywhere you turn, there they are), but if they didn’t come around every two or four years or whatever, I would not be broken up over it. That said, there have been three athletes whose stories spoke to me.

To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” ~Ralph Waldo Emerson

First up is Ester Ledescká, the Czech skier/snowboarder. NBC did a human interest spot on her, and she blew my mind. It’s one thing to be a world class athlete, but it’s another thing entirely to be a female, world class athlete who competes in not one, but two, sports. And Ester doesn’t just compete. She wins gold medals…in two sports. It’s awesome. What really spoke to me about the interview with her was when she was discussing how many people had told her she shouldn’t try to compete in two sports. They told her it is better to focus on one. They told her that if she attempted to focus on two she would only accomplish being middling at two sports rather than potentially exceptional at one. They told her it couldn’t and shouldn’t be done. Ester, however, had a the audacity to ask a simple question when people told her it couldn’t be done. She asked them, “How do you know?” And she did it anyway. Damn. I thought about my own life and how many times I listened to naysayers, never once believing in myself enough to stand up for myself and tell them what I knew in my own heart: “I got this.” So often I backed off the courage of my convictions and figured others knew what was best for me. I was wrong. I think every young girl (and boy) should know Ester’s story. Ester is the embodiment of grit, a woman who knew what she wanted, fought for it, worked hard, and did what others said couldn’t be done. She kicks ass.

We are at our most powerful the moment we no longer need to be powerful.” -Eric Micha’el Leventhal

The second outstanding athlete is Shaun White, of course. I have been a fan of Shaun’s since his first Olympic appearance in 2006 in Turin. Shaun White is a walking superlative. He’s a joy to watch, the rare combination of hard work, creativity, enthusiasm, confidence, finesse, and passion. He elevated snowboarding to an art form, constantly pushing himself (and others) to greater heights, literally and figuratively. At 35, he showed up solidly against competitors almost half his age. Yes. He landed in fourth place at his fifth Olympics, but who cares? He’s Shaun White, dammit. What struck me about what I saw of him after his final run, though, wasn’t his graciousness but his heart. After receiving an ovation upon completion of his final Olympic run, after accepting hugs and kind words from each of his fellow competitors, Shaun did something more extraordinary than all of his physical feats. He let the emotion of the day take over, and he cried, not a couple quickly wiped away man tears but actual, ugly-cry tears. I don’t think I have ever been more impressed by him than I was in that moment. He showed his humanity. In fairness, he has cried on camera at Olympic events before, but this meant more. This was a man openly weeping on television for the world to see because he was feeling all the feels. And me being where I am in my life cried right along with him. I’ve got tears just remembering it now. Shaun gave the sport of snowboarding a firm foundation and a heart, and he proved that you can be a man and feel your feelings and show them for all the world to see. And that is a bigger gift to the youth who follow in his footsteps than his Double McTwist 1260.

“Life is not about how many times you fall down. It’s about how many times you get back up.” ~Jaime Escalante

The final athlete who wowed me this week was Mikaela Shiffrin. After falls in her first two events, events where she is usually the one to beat, she was visibly shaken. She was angry at herself, disappointed in her performance, and all-too-aware she was letting people down. But she rode the chairlift to the top of the Super G course and stood at the gate to face her fears. I can’t even comprehend that level of bravery. After her first two events, she could have simply decided not to compete any further. She could have decided that maybe the universe was trying to tell her it wasn’t safe for her to compete. Oh, the voices of self-doubt she must have been battling as she took that ride to the top of the mountain. But she did it. 3…2…1…and she burst from the gate to ski 70 miles per hour down to the finish. And when she finished in 9th place, she wasn’t disappointed in herself. She was ebullient. She was smiling. The relief on her face was there for the world to see. She hadn’t raced that race because she had something to prove to others. She had raced because she had something to prove to herself. She showed up to that race for herself and, in doing so, told the fear in her heart and mind to go to hell. She is so strong. I’m not talking her physical strength (although, holy crap, yas queen, you go, girl). I’m referring to her mental strength, the strength to fall in front of the world and get back up and risk it all again. That is what the world needs to see more of. The strength to look fear in the face and do the scary thing anyway. Mikaela, you are my hero this week. I will always root for you. Not because you’re my Colorado mountain girl, but because you are wicked brave.

I guess my admiration for these athletes teaches me these three things. I need to believe in myself and follow what my heart tells me because it knows me best. I need to be willing to open up, to be vulnerable, and to feel my feelings when they arise. And I need to look fear in the face to make forward progress. This is the way.

Meow Wolf: You Are Here

Meow Wolf. Have you been? Have you heard of it? Do you have any idea what I am talking about? Meow Wolf is a lot of things. It’s a permanent art installation. It’s an immersive experience. It’s a mind-bending imagination and creativity trip. And it’s not to be missed, if you can help it. The first Meow Wolf, the House of Eternal Return, was opened in Santa Fe in February of 2008. Thirteen years later, Meow Wolf Las Vegas, called Omega Mart, opened in February 2021. The Denver Meow Wolf experience, called Convergence Station, opened September of this year. And it had been on our list of things to do since we learned about its planned opening. Today, we made it!

I don’t want to spoil it for you, but I think the best way to give you an idea of what the over 200 artisans of varied mediums do to create a Meow Wolf experience is share some photos. Convergence Station is otherworldly. Combining some items from our current reality within a futuristic, alien world, it’s a walk through both the familiar and the fantastical.

This is not your typical art museum. Here you can touch the art and take flash photos and no docent will reprimand you. There is no set path to follow, no recommended journey to take. It’s all about letting the creativity pull you through. We spent two hours entranced, wandering from room to room, through random doorways both obvious and not so obvious. We marveled at the variety of materials were used in fabricating this world, from felt to plastic, metal to paper. Everything you see is art. It’s unbelievably overwhelming. I’m positive we could return and notice myriad details we missed the first time. I’m ready to visit the installations in Santa Fe and Las Vegas and discover their wondrous worlds as well.

Two things make Meow Wolf a fully worthwhile endeavor. First, Meow Wolf makes art accessible to people of all ages. You don’t have to know a thing about the Impressionists or Picasso to appreciate the creations inside the building. Second of all, Meow Wolf’s mission is to elevate art in such a way that artists are no longer “starving.” It’s hard to make a living as an independent artist. This collective, though, allows artists the opportunity to use their skills, to show their work, and to be compensated fairly for their time and talents. This makes these alternate-world art exhibits a win-win.

The sign as you enter commands you to remember and utilize your own creativity. After leaving Meow Wolf today, I can tell you that it did inspire me. As I was walking through, blown away by the art, I was also excited to realize we weren’t on our phones other than to snap an occasional photo. We were in the moment…for two whole hours! Everywhere I looked families and friends walked together, discussing the art around them, pointing things out to one another. It was heartwarming to see faces (behind masks, but still) looking directly at you as you passed instead of into phones. It made me think about how fractured my mental life has become since becoming addicted to my phone. It made me think it’s time to start a detox from devices that draw my attention away from the present. It made me think about checking in with myself and my environment daily instead of checking out on social media. It also reminded me that I’ve always wanted to try knitting and welding.

The sign on the building says, “Meow Wolf…You are here.” You are here. It’s kind of nice for a change.

If you haven’t been to a Meow Wolf yet, make plans. It will be worth it. If you have been, I’d love to know your thoughts!

The Roads We Can’t Ever Travel

Photo by JOHN TOWNER on Unsplash

On a good friend’s recommendation, I started watching Maid on Netflix yesterday. I finished all ten episodes already, if that tells you anything about the quality of the show. It is about a young, single mother trying to make her own way after leaving an abusive relationship. The characters are raw. Their lives are complicated and difficult. They have mental illnesses, chemical dependencies, financial struggles, and broken dreams. It’s painful to watch, but that is exactly why it should be seen. It’s a poignant reminder of how little we know about the lives of those outside our own circle.

In a time when it seems everyone is on edge and no one seems to notice or care about anyone else, when everyone is quick to anger and judgment, this is the kind of show we need to see. It’s a lesson in our common humanity. If you watch the show and it doesn’t make you a little softer and kinder to your fellow humans, watch it again. It’s time we get our heads back on straight. The pandemic has taken a lot of out of us. We’ve been isolated, stressed about our survival, our lack of freedom, our health. Maybe it would be a good idea to recognize that we are all struggling.

As I’m writing all this pontifical, pie-in-the-sky bullshit, though, I am realizing that I need to be honest with you too. There’s another reason this show grabbed me the way it did. It’s because a large part of it is about surviving emotional abuse, the abuse that has no outward scars so people don’t believe you were injured. There’s plausible deniability in emotions. Well-meaning people tell you to your face that the people who hurt you over and over didn’t mean it. They tell you that you’re being dramatic. They tell you that because they are fortunate enough not to understand what it’s like to have someone close to you manipulate, terrify, and crush you. The show is about deciding to put your mental health first and making the difficult, conscious choice to let others deal with their own demons while you face your own. It’s about using your outside voice to proclaim to the world that you want something for yourself, and you’re ready to believe you deserve it. While watching these characters interact, I saw my life. I saw their struggles and nodded my head. But I also saw their strength, and for the first time I am seeing my own too. It feels good to be at a place where I can like myself for both my beauty and my imperfections.

We don’t know what anyone else is going through. What we know is filtered through our own lens. Tread lightly. Be gentle with others if you can. It’s been a little rough on this rock recently. We can’t know the roads others are on, where they lead, or why they wind the way they do. We can’t help others read their map or give them directions. We can’t ever travel their road with them. We’re not meant to. We have our own road on which to focus and that one deserves our full attention.

The One With All The Memes

They say you can tell a lot about a person by the memes they save to their phone. So, here are some of my favorites. Enjoy this harmless peek inside my weird little brain. You’ve been warned.

This is groundlessness
My first love was an oxford comma
Sometimes Piglet’s inspirational wisdom is just annoying
Cheeses, this one is probably in my top 3
Story of my life thus far, but I am working on it
The hill I am willing to die on
It is possible to be an anxious person but not a worrier
Yes and yes
The older I get, the more this has proven true so now I do the things I don’t want to miss instead of overthinking it
This is so clever…and true
All the feels about this one
If you want to call, you have to text me first
My current mantra
yep
My prayer to the football gods every single football weekend
Definitely true
Hahahahahaha

There are so many good ones, but let’s not go overboard, am I right?

Groundlessness: The Path To Emotional Freedom

This quote embodies the concept of groundlessness

“Let go or be dragged.” ~Zen proverb

Last night at the Midlife Mindfulness group I attend we discussed the concept of groundlessness, which is the notion that life is in constant flux and we can never be fully grounded. As beings, we want to be on solid footing and constantly seek security, when in reality the firm foundation we crave and occasionally feel we have achieved is an illusion. Our resistance to the fluid nature of our existence causes personal suffering because when a change occurs that rips the rug out from under us we feel as if our life is falling apart. Even the term “falling apart” implies that at one point everything was together. But every day our lives are upended by changes. Something as simple as a driving detour can send us spiraling. We become frustrated, worried we will be late, annoyed at the inconvenience. Our discomfort is not caused by the detour, however, but by our resistance to the change placed in front of us. If we choose to regard the detour as nothing more than an unexpected hiccup, we accept that these things happen and our anguish subsides.

I have been considering the suffering I have felt because of the stage I am in with my sons. Joe is off at college, and Luke will graduate in June. As a woman who has devoted two decades solely to the care of my children, I have been experiencing groundlessness. The entire day-to-day reality of my life is changing. They are moving into their lives without me, which is how it is meant to be and what I have always wanted for them. It was only when I began to embrace the pain of letting them go without resisting the accompanying sadness that I was able to move through the grief and towards the point where I can now be at peace with this next phase in all our lives. Do I miss spending time with them? Absolutely. Does my acceptance mean I no longer shed tears about it? Nope. I still do that. But I am able to view this flux in my life now with gratitude for what has been and interest in how this next phase of life will unfold. I don’t have a clue what it will look like, but I don’t need to know that. I simply need to welcome the groundlessness. After all, everything I am now is a result of the changes and adaptations I have had to make in my life thus far. Who knows what personal growth this latest upheaval will bring us?

When I think about groundlessness, I remember one of my favorite scenes from the Ron Howard film Parenthood. The family is attending a school play in which their daughter has a part. In a scene in the play, her character is being pushed to do something she doesn’t want to do. When her little brother witnesses her struggle from the audience, he is compelled to run on stage to save her and chaos ensues. While many people find this interruption an amusing disruption, one woman yells with agitation towards his parents, “He’s ruining the play! He’s ruining the whole play!” The mother tries to stop her son but then decides to let the scene unfold, while the father remains visibly uncomfortable. The camera then films the scene as if the parents are side-by-side on a rollercoaster, the mother relaxing into the innocent pandemonium with smiles and laughter while the father looks frightened, tense and concerned about what others think, anxious about the ride he doesn’t want to be on. Eventually, he notices that most people are laughing as kids on stage have gone rogue and the set is falling over and what was probably a mildly amusing production has turned into an event they will never forget. He releases his desire to control the narrative and begins to enjoy the ride too.

I try to think of life as that rollercoaster ride. We can either choose to focus on the exhilaration of the inevitable peaks and valleys of being alive or we can tense up and feel queasy about them. The ride stays the same, only our attitude about it changes our experience of it. Choosing to live in acceptance of groundlessness can become our new solid ground and free us from the illusion of security along our journey. With some practice, I am improving my muscle memory around being secure within the insecurity of life. Let go or be dragged. Am I right?

Never Tell Me The Odds

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My son’s prized book collection hidden behind a clay tank he created and his Pop characters

Dyslexia. For most of my life, the word conjured in me a sense of doom. Like so many people, I imagined a dyslexic person would be sentenced to a life without reading, a life without higher education, a life being thought of as a dummy. I never imagined dyslexia would touch my life. And then I tried to teach my sons to read.

Joe struggled with simple character reversals, consistently transposing b and d and 2 and 5. He couldn’t say his alphabet, always leaving letters out, skipping from p to v. His first grade teacher gave him a failing grade in reading during the first trimester that year, and I could not figure out how a child in first grade who was learning to read could be failing at it. We later discovered Joe had ADHD and mild dyslexia. Luke’s reading issues were worse than Joe’s. Luke not only transposed letters but couldn’t seem to stop confusing entire words, like what and that and the and who. When we tried to get him to read to us, he had every excuse imaginable. When he hit third grade, he began falling behind and we had him tested. Luke was diagnosed with moderate to severe dyslexia. We were told he needed to be taught to read in an entirely different way from his classmates and would either need to enter an intensive reading program for three months, which meant taking him out of school for that period, or be moved to a remedial school. I was crushed.

At that point, we made the decision to put both boys into a private school for children with learning disabilities. There they received not only reading instruction delivered in a way that allowed them to catch up to their peers, but also individualized math lessons and time with occupational and speech therapists. They began to blossom. We all began to see their strengths more than their struggles and started feeling hopeful about their prospects despite their dyslexia.

People often speak of their heroes: brave soldiers, firefighters, police officers, and selfless volunteers. I have never believed heroism belonged solely to people who save other’s lives or make immense sacrifices. I choose to find heroism in those who face adversity and rise above. My sons are my heroes. They started out behind their peers and have been working to catch up since birth. They’ve never given up. They’ve never accepted less for themselves. They’ve figured out how to embrace their strengths while working to overcome their struggles. It’s been a gift watching them develop and grow and push beyond the limitations inherent in the way their brains are set up. They inspire me.

Luke reads every day in his free time. He is not a fast reader, but he soldiers on. He challenges himself. He never quits. In seventh grade, he got 100 pages into self-chosen Mein Kampf before deciding he might not be mature enough for it yet. Last year in eighth grade Honors literature, he read White Fang, 1984, Watership Down, Of Mice and Men, as well as Jon Krakauer’s Into the Wild and Into Thin Air, and in his spare time he also read the 650-page biography of Steve Jobs and The Man in the High Castle. This summer he chose to read Homer’s The Iliad and then followed it with The Odyssey. On his Christmas list is a rare book about World War II written in 1948 by a Jewish soldier in the British armyHis teacher this year assigned Bless Me, Ultima and then said she was hoping they could compare that to Like Water for Chocolate, which she hasn’t yet assigned but he has finished reading anyway. I have no idea how this is the same kid who fought us when we asked him to read Don’t Let the Pigeon Drive the Bus.

A few weeks ago Luke said something I have been turning over in my mind since. He said, “Dyslexia is not a reason not to read. It is a reason to read.” And that sums up Luke. He’s Han Solo who says, “Never tell me the odds” or John Locke from television’s Lost when he exclaims, “Don’t tell me what I can’t do.” I’ve thought a lot about his attitude, about taking what is difficult and turning it to your advantage, about being told who you are and proving them all wrong. As a child, it’s easy to take what you are told about yourself and believe it. I know I did. But I think it’s time I start looking at life through Luke-colored lenses. Maybe all the things I was told I can’t do should become all the things I have to do. By my side will be the child who has shown me what it means to believe in yourself, naysayers be damned.

F.I.P.

“I’m not a mess but a deeply feeling person in a messy world. I explain that now, when someone asks me why I cry so often, I say, ‘For the same reason I laugh so often–because I’m paying attention.’ I tell them that we can choose to be perfect and admired or to be real and loved. We must decide.”     ~Glennon Doyle

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Splashy, aka Foggy Foo

On Tuesday night, minutes before we were scheduled to leave for our son’s high school Cross-Country Awards Banquet, I discovered our African dwarf frog belly up on the rocks at the bottom of his aquarium home. Although he (I decided years ago he was a he without any biological proof) hadn’t been acting himself for weeks and I had suspected this was coming, the knowledge he was gone left me with a frog-shaped hole in my heart where he had escaped like a cartoon character busting through a wall and leaving only his outline.

Nine years ago, as a heart bandaid after a life-scarring debacle in which my son and I unsuccessfully attempted to raise a tadpole into frogdom, I purchased from Brookstone (don’t ask) four fully grown aquatic frogs in small habitats. Each of my young sons would have two critters to care for. That was the plan, anyway. Although the boys named them, Padme and Anakin and Swimmy and Splashy, we all know how the story goes. I fed them. I cleaned their watery homes, bought their food, and looked for new plants for their decor. They were mine in all their froggy glory from the beginning because I had killed their tadpole and these were my mea culpa. Still, I told the boys that these frogs were temporary, short-lived pets and they needed to prepare themselves for that.

Padme, like her Star Wars character, was the first to perish that first year she moved in. About a year later, Swimmy and Anakin died within a few weeks of each other. I figured the last holdout wouldn’t last much longer on his own and I would be free of the stigma of the tadpole catastrophe and the work of the frog experiment. Splashy, who was now referred to by the unfortunate sobriquet Foggy Foo, however, continued to thrive. Research told me most most aquatic dwarf frogs lived less than five years in captivity. After six years, I began to suspect Foggy Foo was an anomaly.

Foggy and I worked out a marvelous relationship over the years. He recognized my voice and would emerge from his house when I called him. He did not do this for anyone else. He would swim to the top to eat when I fed him and had on occasion eaten from my hand. I would often pause during my day to check on him. I enjoyed watching him and listened for his muffled songs. We had a bond. He was my little guy. I loved him as much as any human can love an amphibian, although definitely not in the same way Sally Hawkins loves her amphibian in The Shape of Water.

My heart broke a little the night he left us. Although I compartmentalized the loss until after the awards banquet, when we got home I carefully lifted him via fish net from the bottom of the tank and brought him upstairs to the main floor commode. I gathered my men, gently deposited Foggy’s lifeless form into the bowl, and we said a few words about our deceased friend. Float in peace, we told him as I depressed the high-flow option on the toilet and flushed him with great flourish to his final resting place.

I won’t lie. I shed a few tears Tuesday night. And, since then, I’ve shed a few more. I am verklempt thinking about him now. The space on the counter he occupied for years is desolate, and I suspect the frog-shaped hole in my heart is there to stay. Perhaps it seems silly to mourn a tiny frog who existed on the periphery of our lives, but the smallest things can hold within them the deepest of life’s lessons. That frog was a link to the days when my boys were young, noisy whirlwinds who made our house reverberate with life. With Foggy’s passing, I can see that my little guys are also gone, replaced by hirsute young men with booming voices and earbuds that render me silent. Letting go of Foggy is an acknowledgment that soon my sons will leave Joe- and Luke-shaped holes in my heart as they also escape my world. It sucks and it’s worth a few tears.

I am working on the Buddhist notion of patient acceptance, knowing that the most important thing I can do for myself in this life is to welcome what is without wanting to change it. This is much easier said than done. Joe and I will begin touring colleges next week, and I have no idea how we got here. But life is messy and emotional and difficult, full of reasons to laugh and cry. So, I will float on and be in what is and cry when I need to and laugh when I can because I am paying attention. I will practice my patient acceptance so I too can float in peace someday.

 

Out Of My Hands

The other day I was sitting in the car with my youngest while we waited for the high school to let out. I glanced over at Luke who, per usual, was already busy scribbling responses in a vocabulary notebook. As he worked diligently to get ahead on his homework for the evening, my eyes were drawn to his hand. I don’t normally notice the boys while they are ensconced in their school work. But, sitting in the car without much to amuse myself, I got curious to see what he was working on. As I looked over, this is what caught my eye.

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How does he even do that?

Luke has one of the most unique ways of holding a writing implement I have ever seen. This visual sent me tripping down memory lane, thinking of all the teachers and aides and tutors who were flummoxed by it. It was labeled maladaptive. When he was young and spent hours drawing and coloring, his grip constantly broke crayons. Beginning in preschool, teachers pointed it out as if it made him a freak, the Hunchback of Handwriting. I was told he’d never be able to get through school with that grip. His hand would tire. His writing would be illegible. Quelle horreur! Occupational therapists spent hours working with him to redirect it, to bring it in line with what is considered “normal.” For my part, I consistently deferred to their assessment that the situation was untenable and needed to be corrected because, well, what did I know? I was no expert. So Luke continued to do therapy and classroom work and tutor time in an effort to fix it, even though he didn’t see it as broken. In the end, no matter the effort that went into ameliorating it, he reverted back to what was natural for him.

Eventually, I found a reason to stop thinking about his odd pencil grip. When his third grade teacher mentioned it in our first conference with her, I told her we really could not care less. It was a non-issue. She looked at me like I had three heads and rattled off the reasons I’d heard myriad times as to why this was, in fact, a huge deal. I slid his psychoeducational evaluation across the desk and told her improving our dyslexic son’s reading skills was our only focus. Nothing like a bigger problem to make a smaller problem diminish. His pencil grip and handwriting blipped off the radar screen. It became nothing more than an extension of Luke’s character: creative, unbridled, and charmingly quirky. Nothing wrong with that.

Years later, I one day noticed my own pencil grip. It also would be considered maladaptive. It too would make preschool teachers cringe. Maybe if I’d considered it sooner, I could have saved Luke all the hassle of hours in occupational therapy, knowing I’d survived school and life with my own weird grip. Like mother, like son? Sorry, buddy.

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Apparently I owe Luke an apology

The little things aren’t always the big things we imagine them to be. Our fruitless attempts to remediate Luke’s pencil grasp taught me to choose my parenting battles more wisely in the future, to listen to experts but to weigh their advice against the bigger picture and my own gut feelings. With time and practice with my Little-Miss-Rule-Follower self, I’ve started to recognize I don’t always have to follow common procedure. Some things will improve with time and some things aren’t worth the trouble. My son who, despite his dyslexia, struggled his way from two years behind reading level in third grade to become the kind of kid who at 12 was reading adult, historical non-fiction books like Band of Brothers for fun, never needed help getting a grip. He needed help teaching the adults to let go of one.

People ponder the question of nature versus nurture. I posit it’s a bit of both. Sometimes one wins out, sometimes the other. We would like to be in control, to manage, to create order from perceived chaos, but the universe seeks to teach us otherwise. Maybe it would be better if we accepted that sometimes things are simply out of our hands.