I used to write poetry. I was much younger then, with a radical heart, raucous with emotion. Then I grew up. I learned to pull my emotions in, hug them like it was the last time I’d ever feel them because I was sure no one else wanted to hear from them. I stopped wearing my heart pinned to my chest and gave it a forwarding address deep inside. Now I find that with the passing of time and with roughness of the outside world, life used heavy-grit sandpaper on me because now, now my heart is back on the outside where it was before. Everything is raw. I can’t push it back down, and that’s a good thing, I think.
So I am mentally planning a poetry comeback. Until the inspiration hits me, I’m reading others’ poetry. Good Bones is one I feel with all my heart. I have on many occasions apologized to my children for the state of the world and my part in making it what it is now, what they will inherit and have to fix (or create a rocket in which to leave forever).
As I start down the poet’s path again, I share this work with you today. Perhaps it will resonate with you as well.
Good Bones, a poem by Maggie Smith
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.